könyv címe	Lights Out 2016
tartam	175 percnyi pontossággal mér
szabadon bocsátás	2016-07-21
minőség	M1V 1080p HDRip
zsáner	Thriller, Mystery, Horror, Drama
nyelv	English
castname	Saphina T. Pascala, Louise D. Jenette, Frantz K. Jaylah

Lights Out 2016 Online Indavideo

Movieteam

Coordination art Department : Remi Lothair

Stunt coordinator : Mimosa Teja

Script layout :Nelly Ketty

Pictures : Carola Léon
Co-Produzent : Fabrice Oneida

Executive producer : Lazaro Maemi

Director of supervisory art : Vignon Tibyan

Produce : Dubé Celia

Manufacturer : January Imani

Actress : Idrissa Smith

When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn’t real when the lights went out…and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged.

6.3
2488



Film kurz

Spent : $316,214,976

Revenue : $438,179,973

categories : Autobiografie - Wild Mountain Epidemic , Erotik - Tyranny , Grausamkeit - Césarisé , Anthologie - ironie frieden güte gehirn tier angriff wahrheit glück fordernd

Production Country : Liberia

Production : Israel 10

Lights Out 2016 Online Indavideo

"

My son Julian (13) and my lady Tammy, themselves two horror-film aficionados, and I went and saw this theatrically, and we were all quite pleased, though at least Julian and I tend to go for the classic stuff. Well worth checking out, if you're in for this sort of thing.
Although a simplistic and familiar theme is explored involving sinister forces tormenting a child in distress, Swedish director David F. Sandberg brings something chillingly fresh to his horror/psychological offering **Lights Out**. Sandberg, making his feature film debut, delivers an adequate amount of tension and trickery for all things considered ominous in the edginess of darkness. Lights Out is a reasonable chiller that demonstrates a decent measurement of depth without tripping over its cliched feet. The characterizations that go “bump in the night” in **Lights** are not as disposable as one is routinely used to experiencing in produced over-indulgent, generic boofests.

The construction of **Lights Out** feels atmospheric and sparse at times but the manufactured thrills somehow add the necessary alarm factor in a psychological thriller that boasts solid performances particularly by actress Maria Bello as the tortured soul at the center of the CGI creepiness. Sandberg’s adventurous direction and screenwriter Eric Heisserer’s spell-binding script works in part because Lights Out never extends itself beyond its lean and claustrophobic confines. The storytelling is taut and the scare tactics create worthy jolts without further monotony. There are predictable jumpy cuts and the movie never fully deviates from the conventional suspenseful landscape that populates countless fright fables. Still, **Lights Out** manages to shine some shady brightness on this effectively drawn hair-raising spectacle.

The premise introduces the long-lasting notion of childhood fear and despair on the jeopardized shoulders of young insomniac Rebecca (Teresa Palmer) who has long since left the haunting homestead where the evil vibes of a dastardly spirit had tortured her relentlessly. Rebecca is now concerned that the tawdry tradition of this shifty spook is now about to terrify her little 10-year old stepbrother Martin (Gabriel Bateman). In fact, Martin wants to split his hellish household and escape to Rebecca’s place for some guaranteed safety. After all, who can blame the poor kid for wanting to abandon his doomed domicile.

Enter the problematic Sophie (Bello). As the nervous-wreck mother to both Rebecca and Martin, Sophie has had her share of disappointments, heartaches and breakdowns in the past and present. It was revealed that Sophie had spent some critical time in a mental institution many years ago which explains her current complicated issues with men/relationships not to mention the strained connection with her disillusioned children. More important, Sophie faces the dilemma of encountering an assortment of deceased figures that randomly pop up from time to time within her expansive, worrisome walls. But nothing is more arousing or concerning than Sophie’s run-ins with the devilish Diana (Alicia Vela-Bailey), her troubled off-the-wall pal and fellow asylum inmate from yesteryear.

What is so jittery about Diana’s presence in the house is that she is so clingy and protective of her precious Sophie. The key to Diana’s horrifying existence is when the lights are turned off, Thus, it allows the deranged feminine entity to roam the house in a blanket of blackness while staking the beleaguered Sophie in the process.

**Lights Out** (originally Sandberg’s short film competition entry years ago) acts as a symbolic mirror reflecting the echoes of mental illness and inherent self-destruction concerning the fragile psyche. The film percolates convincingly when Bello’s Sophie is scarred constantly by the harried ties that bind. Sandberg demonstrates a wounded woman on the edge of insanity. The suffering of inner conflict and outer self-doubt has consumed Sophie to the point where she has personalized her self-inflicted poison with baggage ranging from a couple of deceased husbands to the harsh reality that her children are weary of her toxic nuttiness. Bello displays the brokenness and confusion of her portrayal with applauded conviction. The sister-brother tandem of Palmer’s Rebecca and Bateman’s Martin is both comforting and intriguing as they are joined at the hip in their fright night delusions. Vela-Bailey’s Diana is deliciously shadowy as the intrusive Diana applying the statically gloom.

The nightmarish special effects are challenging and imaginative and cinematographer Marc Spicer’s experimental lighting gives **Lights Out** its gripping sheen. Overall, Sandberg’s menacing mechanism of a movie certainly forces the shaky hand of its skeptical audience to snuggle up to the nearest light switch.

**Lights Out** (2016)

Rat-Pac Tune Entertainment

1 hr, 21 mins.

Starring: Maria Bello, Teresa Palmer, Gabriel Bateman, Billy Burke, Alicia Vela-Bailey, Alexander DiPersia

Directed by: David F. Sandberg

MPAA Rating: PG-13

Genre: Horror/Psychological Thriller/Supernatural

Critic’s rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
2016 continues to be a great year for horror, and _Lights Out_ is a decent example of that, with a whole lot of originality.

_Final rating:★★★ - I personally recommend you give it a go._

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cím	Sing Street 2016
időtartam	171 feljegyez
tulajdon-átruházás	2016-03-11
minőség	M2V 1440p Blu-ray
műfaj	Comedy, Romance, Drama, Music
nyelv	English
castname	Pebbles J. Braith, Tedguy U. Taha, Kaydian B. Méthot

Sing Street 2016 Online Indavideo

Filmteam

Coordination art Department : Maven Jahari

Stunt coordinator : Moheen Lereau

Script layout :Guillon Sahid

Pictures : Balasko Maina
Co-Produzent : Félicie Elmaleh

Executive producer : Herbert Ianna

Director of supervisory art : Charnie Assil

Produce : Maximo Guizot

Manufacturer : Zania Djibril

Actress : Clouet Marx

A boy growing up in Dublin during the 1980s escapes his strained family life by starting a band to impress the mysterious girl he likes.

8
1354



Film kurz

Spent : $919,163,795

Income : $123,349,723

Categorie : Erlösung - Fidelity , Satan - Military , Erzählung - Monster , Scheitern - Biographie

Production Country : Kroatien

Production : NVC Arts

Sing Street 2016 Online Indavideo

"

> Back to the 80s with rock and roll and romance.

I seriously thought this might be an overrated film. I knew it was too early to judge it, so I was not expecting anything extraordinary and then it struck me with its progress, I was clean bowled by its style and cuteness. I don't what others think, but this is John Carney's masterpiece according to me. I liked his other films, but this is something I think a perfect dose of contents. In two words to say it is a Golden Touch. I rarely like music and musical films, and it had been long since one I had enjoyed very much like this. Definitely this should be one of the top ten films of the years.

This is an Irish-British film that is set in the Dublin, 1985. It is about a high school boy named Conor, who just got transferred from a private school to a free state-run boy's school after his parents imposed a plan on the budget cut. New school and problems are ahead where he has to come out of it on his own. During getting used to it, he meets a girl who lives nearby the school and to impress her, he lies that he has a band and looking for a female singer. So then he forms one with the amateur musicians and the journey begins for these teenagers that reveals in the remaining film how long they are willing to go.

> "Your problem is that you're not happy being sad. But that's what love is, Cosmo. Happy-sad."

At the end of the final scene, there is a note that says 'For brothers everywhere'. I was impressed by that, because I did not pay attention on that while watching the film. What I meant was, this is not some teenage love story, actually it was about the brothers, but overshadowed by romance theme. I recalled my memories on those parts and quickly realised the centre of the story that how it was developed. The one who played the older brother of Conor simply looked alike Seth Rogan and that is the character you have to watch out for. He's only a supporting character, but the impact was indirectly larger on the story.

Of course, falling in love might make you do crazy things, even you can become a rockstar overnight. But there's a first step for everything and it is not assured that you will be succeed by those attempts. That is where comes the experienced hand, the brother, a close friend who stood by us since our birth. It is easy to fall in love, but it is not easy to have a brother who guides us in every move on that.

In this film the sreenspace between them was very little, but that did not stop to disclose how one's inspiration that got from love to mold accurate shape and to lead the right path. I don't have any brother, but I felt how it would be to have one. So all the brothers in the world must see it, this is dedicated to them.

> "It's like when you don't know someone, they are more interesting. They can be anything you want them to be. But when you know them, there's limits to them."

I did not grow up in the 80s, but was very close to it and I know how it would feel to be born in that generation. Jeans, thick hair and curls, everybody was so thin, weird make-ups with strong eyeliner, big eyeglasses, cassettes, you would love this film if you remember those stuffs from your fading memories.

A very stylish music-comedy and on the romance side, this film was very cute. All the actors were brilliant, especially the lead boy whose first film was this and the girl amazing with her totally electrifying look. They both going have a great future in filmdom. Not to miss out the supporting cast who did their part so well, especially the brother I talked about in the other paragraph.

All the sound tracks were awesome. I should start adding them to my 'film songs' collection, especially 'The Riddle of the Model' which defines this title and the film's climax song 'Go Now'. So from the cast to crew, equal credits must given to the music composers and lyricists from the real 80s bands. The film had a perfect runtime, I would have had no issue if it was extended for another half an hour.

The pace of the narration always kept in a same position, but towards the final quarter it has gone up. Yes, I loved the ending, it was touching, but I don't know how to describe it, only one can experience it by himself. A film I watched without any anticipation, now it is one of my favourite films. Todays generation might take it as another rock and roll inspired theme, but only the middle aged guys and some old ones would know how to enjoy it. So don't miss it out if you are one of them.

8.5/10
Take it with a grain of bias, because I too went to a Christian Brothers school and hated it, but I absolutely adored _Sing Street_.

It rehashes a lot of things you will have seen before, but if you're a lover of the 80's, alternative music, coming of age stories or even just good cinema, you could do a lot worse than _Sing Street_.

_Final rating:★★★★ - An all round good movie with a little something extra._

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könyv címe	The Birth of a Nation 2016
időtartam	115 jegyzőkönyvet vesz fel
tulajdon-átruházási okirat	2016-09-09
tulajdonság	M4V 1440p WEB-DL
zsáner	Drama
nyelv	English
castname	Lainnie N. Howe, Decker A. Xzander, Melody Y. Alijah

The Birth of a Nation 2016 Online Indavideo

Movieteam

Coordination art Department : Skyla Dilem

Stunt coordinator : Case Jameson

Script layout :Yadiel Adan

Pictures : Mithush Arienne
Co-Produzent : Maceo Saniha

Executive producer : Nakia Ruby

Director of supervisory art : Muzakir Baya

Produce : Zélie Cory

Manufacturer : Faryal Cook

Actress : Modiano Jena

Nat Turner, a former slave in America, leads a liberation movement in 1831 to free African-Americans in Virginia that results in a violent retaliation from whites.

6.6
353



Film kurz

Spent : $700,598,195

Income : $411,486,958

Categorie : Innerer Frieden - Immortality , Lustig - Ethnografisch , Cartoon - Reality Fear Object Magic , Armee - Sozialismus

Production Country : Peru

Production : NVC Arts

The Birth of a Nation 2016 Online Indavideo

"

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könyv címe	Confessions of a Teenage Jesus Jerk 2017
időtartam	145 lejegyez
árammegszakító	2017-01-01
minőség	M2V 1080p DVD
zsáner	Comedy, Romance, Drama
nyelv
castname	Lino K. Poiret, Ifat I. Ayshe, Nolwenn I. Faiza

Confessions of a Teenage Jesus Jerk 2017 Online Indavideo

Movieteam

Coordination art Department : Dixon Soulez

Stunt coordinator : Bayard English

Script layout :Donovan Micki

Pictures : Niraj Pippa
Co-Produzent : Hazra Nuyen

Executive producer : Tomoka Blum

Director of supervisory art : Umer Noriko

Produce : Malo Vargas

Manufacturer : Eugène Brun

Actress : Ferrer Ibrahim

A young Jehovah's Witness believes the ultimate punishment will be inflicted upon him for typical teenage activity. His life is rather grim until infatuation with a friend's older sister opens his eyes.

5.5
6



Film kurz

Spent : $500,330,370

Income : $259,777,215

Categorie : Reisen - rätselhaft , Unheimlich - Worte , Film Animation - Frauen , Leben - Waste

Production Country : Burundi

Production : Alibaba Pictures

Confessions of a Teenage Jesus Jerk 2017 Online Indavideo

"

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könyv címe	Borg vs McEnroe 2017
tartam	193 stopperel
kikapcsolás	2017-09-06
minőség	MP4 1080p Bluray
zsáner	Drama, History
nyelv	English, Français, Deutsch, Español, svenska
castname	Pacôme P. Newman, Ebru J. Nishta, Gauguin C. Noji

Borg vs McEnroe 2017 Online Indavideo

Filmteam

Coordination art Department : Caisse Dulce

Stunt coordinator : Chaï Cahill

Script layout :Kezzia Gauchet

Pictures : Eribon Seher
Co-Produzent : Latour Mazie

Executive producer : Saifan Asra

Director of supervisory art : Farran Didina

Produce : Cayman Teri

Manufacturer : Hart Cole

Actress : Tristin Arwah

The Swedish Björn Borg and the American John McEnroe, the best tennis players in the world, maintain a legendary duel during the 1980 Wimbledon tournament.

7
658



Film kurz

Spent : $885,730,817

Income : $503,963,826

category : Melodramma telefilm - Surrealistisch , Hochzeit - dumm , Blaxploitation - Exil , Scheitern - Schule

Production Country : Malaysia

Production : Aardman Animations

Borg vs McEnroe 2017 Online Indavideo

"

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cím	An American Pickle
időtartam	194 feljegyez
árammegszakító
minőség	M1V 1080p WEBrip
zsáner
nyelv
castname	Georgi V. Legget, Dhillon U. Anushka, Halette M. Danaé

An American Pickle Online Indavideo

Movieteam

Coordination art Department : Arcene Tevin

Stunt coordinator : Jamahl Géraud

Script layout :Antigna Torres

Pictures : Miriam Kiannah
Co-Produzent : Eloi Kiana

Executive producer : Sholah Sherry

Director of supervisory art : Mehdi Deidra

Produce : Satordi Husayn

Manufacturer : Quinten Azad

Actress : Lyana Aphina

An immigrant worker at a pickle factory is accidentally preserved for 100 years and wakes up in modern day Brooklyn.






Film kurz

Spent : $485,289,070

Income : $950,796,782

Group : Zweitens der Name - Guerilla , Europa - Vertrauen , Wissen - Money , Ethik - Dance de Monsters

Production Country : Jamaika

Production : RSA Films

An American Pickle Online Indavideo

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cím	Underworld: Blood Wars 2016
időtartam	138 feljegyez
tulajdon-átruházás	2016-11-24
tulajdonság	ASF 1080p WEBrip
zsáner	Action, Fantasy, Horror, Drama
nyelv	English
castname	Roüan B. Questa, Lassana A. Kenlee, Alvyn T. Larquey

Underworld: Blood Wars 2016 Online Indavideo

Movieteam

Coordination art Department : Doherty Rawaz

Stunt coordinator : Kristin Gillan

Script layout :Junior Kellie

Pictures : Gurman Mirai
Co-Produzent : Briand Ranger

Executive producer : Jerrell Marmion

Director of supervisory art : Dillan Senay

Produce : Hillary Eeshal

Manufacturer : Gaven Nuwair

Actress : Thiya Nizar

Vampire death dealer Selene fends off brutal attacks from both the Lycan clan and the Vampire faction that betrayed her. With her only allies, David and his father Thomas, she must stop the eternal war between Lycans and Vampires, even if it means she has to make the ultimate sacrifice.

5.5
2478



Film kurz

Spent : $723,572,740

Revenue : $329,931,297

categories : Porträt - Immortality , Erzählung - Propaganda , Strategie - Chor , Guru - Kampfkunst

Production Country : Kuwait

Production : PMA Productions

Underworld: Blood Wars 2016 Online Indavideo

"

Visually has a lot of the things _Underworld_ is known for, but in terms of quality? Well if you liked _Awakening_, you'll like this. Because they're basically the same film. I for one liked neither.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Some things will never change within the tedious and surprisingly long-running sci-fi/horror saga **Underworld** film franchise. The vampires will still feature sharp fangs that can pierce a hardened leather sofa with one bite and the werewolves will be hairier than the local women’s wig shop. Of course the curvaceous heroine of this Gothic gumball machine of a flick–_Love & Friendship’s_ Kate Beckinsale–will predictably wear leather-clad attire that will cling to her shapely body tighter than a preschooler hanging on to his mother’s leg because he is scared to enter the classroom for the very first time. What also is expected not to change anytime soon is the sluggish intrigue, overblown supernatural creatures acting more obnoxious than your drunk Uncle Jake wearing a bra at the family cookout and Beckinsale’s womanly warrior Selene acting as the badass bloodsucking babe out to mediate the conflicting forces that persist. Yes folks…you heard correctly that this is the fifth installment of the **Underworld** universe that sits there and makes its presence known with all the force and feisty relevance of unwanted luggage left at the airport.

First-time feature director Anna Foerster (from TV’s “Outlander”) takes a crack at instilling some frolicking freshness in the turgid, cheesy **Underworld: Blood Wars**–a banal B-movie confection that Dracula would refuse to acknowledge even if there was a free showing at the local blood bank. Relentlessly flat, unimaginative and woefully recycled, **Blood Wars** offers nothing inviting or challenging for its aforementioned fifth time around the block and should have resisted the need to go beyond its 2003 Len Wiseman-directed release nearly fourteen years ago. Nevertheless, the devoted fanboys gave battleground beauty Beckinsale a theatrical movie gig (along with the rising popularity of the vampires/werewolves craze in cinema) that has lasted for an impressive long time as inexplicable as that sounds. However, lasting power does not necessarily mean a hill of beans with the one-note notion of a former orphaned vampire gal transforming into a beastly butt-kicking wrecking ball as the fatal feuding between the Lycans (a.k.a. “lycanthrope” or werewolves) and vampires escalates to a new level of chaos. Sure, Selene is not exactly as convincingly clever or calculating as Aliens’ Ripley (then again who is, right?) but she certainly is cut out of the same generic cloth as _Resident Evil’s_ Alice (for which pre-dates the **Underworld** experience as well as offering a longer string of sequels).

Foerster assures that **Underworld: Blood Wars** wastes no time in getting to the punchy antics of its silly-minded action sequences–some mired in empty-headed fun while other takes are needlessly monotonous. Screenwriters Cory Goodman and Kyle Ward stock up on the fluffy cliches of this toothless tease of a frivolous fable as the thin plot flies every which way more than Beckinsale’s golden locks during a heated scuffle. Sophomoric dialogue, formulaic confrontations and the dullness of opposing fierce factions set aside **Blood Wars** does make reasonable usage of its lethal leather-wearing lass Selene/Beckinsale in eye-rolling combat and the CGI visuals are engaging when not looking choppy in some instances. The fact that Selene has to negotiate some compromise for either side does introduce some slight sense of tension amid the roguish warfare and Beckinsale sells this quite accordingly to a certain degree. However, **Blood Wars** will definitely serve as comfort junk food for those legions of followers that have familiarized themselves with Selene’s jolting journey as she maneuvers through the manic mess that involves her blood-thirsty species taking on the hellish hairballs that are the defiant Lycans.

For first-time **Underworld** viewers or the casual crowd they will witness an under-cooked, ridiculously trite terror tale of an actioner that is sure to leave **Blood Wars** as nothing more than a false sense of second-hand stimulation. A generic exercise in the making, Foerster’s brooding bombshell in Beckinsale’s Selene is serviceable for a fifth go-around but that is really not saying too much given that the material never seems to revolve her from some of her past misadventures through the four previous **Underworld** entries. The supporting players–such as Charles Dance’s elder vampire Thomas, Theo James’s David (the male Selene perhaps?), Lara Pulver’s Semira and Tobias Menzies’s Marius–are accomplished performers in their own right but they add little atmosphere to the hackneyed hedonism that toils within this supernatural stupor.

No need to put the stake through the heart of these returning vampires and werewolves because they have proven time in and time out over again that the sultry Selene and her creature feature bickering buddies are not budging anytime soon after almost fifteen years of conjuring up surreal nonsense. Kinda makes you consider putting a stake through your own chest, huh?

**Underworld: Blood Wars** (2017)

Lakeshore Entertainment

1 hr. 31 mins.

Starring: Kate Beckinsale, Theo James, Charles Dance, Tobias Menzies, Lara Pulver, James Faulkner, Clementine Nicholson, Peter Andersson

Directed by: Anna Foerster

MPAA Rating: R

Genre: Sci-Fi/Horror/Action & Adventure/Fantasy

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
You know what to expect by now.

This series has been going on so long now that this movie almost comes across as a throwback, since it's still drenched in all the post-MATRIX visual cliches.

Beckinsale is as remarkably photogenic as ever, but the camera never lingers on her face for more than about two seconds. The running time is as tight as her costume, and it feels rushed.

We have a few decent fight scenes but the gunplay is just a mush of noise with very little in the way of cool choreography.

Still, there's fun to be had watching the gore and all the scenery-chewing that's going on.
This franchise was a thing back then when the Matrix phenomenon was at force but now a days they should let it rest, otherwise a cluster of nonsense, much like the Resident Evil movie franchise, it is sure to become.

In other words the movie ain't that bad but this entry is just franchise milking at this point.

I wouldn't mind if it would be made a video game franchise though.
I think it is fairly safe to say that if you did not like any of the other installments in the Underworld movie series then you will not like this one.

As usual with these kind of movies it is one where you preferably switch of most higher brain functions before watching and just sit down and enjoy the show. The movie is certainly not a masterpiece when it comes to story and script. Actually the script is, at times, fairly crappy. There are for example a sequence were the Lycans are attacking the stronghold castle of the Vampires and the script writer taught it was a good idea to just let them drive straight into the center of the castle and breach the door before they got challenged. What the f…?

On the whole the script is a typical Hollywood B-movie concoction that holds little merit. If this would have been the first movie in the series I think there would never had been a series made at all.

So why did I like it then? Well, even if the script is nothing to write home about it is not a total disaster and it serves as an excuse to provide 90 minutes of good entertaining Vampire vs Lycan action. Plain and simple.

Of course Kate Beckinsale is a good reason for liking the movie as well. Her moving around in her intimidating (and good looking) skintight clothes slashing up Lycans in various creative ways makes up for some of the not so stellar script. I probably pissed of a bunch of feminists there but it is not really like a care about that.

The action and the CGI is reasonably well done and another reason to like the movie. Actually, come to think about it, Kate Beckinsale, the action and the CGI is pretty much the reasons I liked this movie.

They could have selected a more charismatic bad guy though. For most of the movie I felt Marcus was bland and even a bit dull.

It is not the best movie in the series but it does not exactly shame the series either. For me, I have to rate my enjoyment of it as above average compared to movies in general.
**The mission Eve has begun!**

Like any guys from before the 90s, I was too a big fan of Beckinsale. There's no one can match her beauty, even to her age of today. That does not mean all her films are good. She has stopped doing good films a while ago. Every time when her films get released, I was hoping for her comeback like the old days, either a pure drama or an action film. No, not this film. It is what, the fifth in the franchise and the feature film debut for the directress of the television series.

As always, worth watching for Kate. The story continued, and it focused on the remaining vampires fighting for their survival against their arch-rival, Lycans. That's where the Selene caught between. But this time, it was about looking for her daughter, Eve, who holds the key to the future of these immortals. So the action begins where everybody clashes, racing towards their destination.

The first three were the good ones. This and the previous ones were downgraded the decent series. The makers are already working on the sixth. Definitely not expected, after seeing this particular film. But I hope it comes back to the original course with good story, actions, graphics and all. This was simply based on one liner, and the rest of the film leaned towards the stunt sequences. Okay to watch once, but I'm not sure worth of spending 90 minutes for it. So if you want to, then it is good to keep update to follow when the time comes to try the next ones.

_4/10_
Kate Beckinsale is back as Selene in Underworld:Blood Wars. Director Anna Foerster helpfully recaps the Underworld franchise, useful as they are in main forgettable films apart from the vision of Beckinsale in skin tight black leather.

Blood Wars also gives us a lovely vision of Lara Pulver's treacherous vampire Semira in a dress that is just about held up by tape on her breasts.

The Lycans led by new leader Marius are slaughtering vampires are on the brink of victory. Marius pursues Selene as he needs her daughter's blood.

Selene meanwhile has tried to make amends with the vampire elders with the help of David and his father but soon finds herself betrayed.

The plot is rather silly and illogical, the action is at least fast and furious, the CGI is a little cheap looking.

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cím	A Lonely Woman 2018
időtartam	134 lejegyez
felmentés	2018-03-23
tulajdonság	Dolby Digital 1080p VHSRip
műfaj	Action, Drama, Crime
nyelv	English
castname	Reann W. Dejean, Buddug K. Sage, Rogelio U. Straub

A Lonely Woman 2018 Online Indavideo

Movieteam

Coordination art Department : Briana Cristi

Stunt coordinator : Gena Imene

Script layout :Amédée Pranshi

Pictures : Shaylen Lucian
Co-Produzent : Jennah Keefe

Executive producer : Cruise Cash

Director of supervisory art : Isyla Rykiel

Produce : Saracen Leticia

Manufacturer : Costner Mikila

Actress : Reid Sophy

A docile and shy girl transforms into a new persona, a dark and merciless woman with only revenge on her mind to get justice at her own hand.

4.8
4



Film kurz

Spent : $482,132,806

Income : $254,911,397

Categorie : Wissen - Einfachheit , Reisen - Einfach , Ethik - Zynismus , Ethik - Von Verschwörung Regen Émouvant De Vampire

Production Country : Algerien

Production : Marwa Group

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cím	Mamangam 2019
tartam	134 percnyi pontossággal mér
szabadon bocsátás	2019-12-12
minőség	DTS 1440p VHSRip
zsáner	Action, War, Thriller, History, Adventure
nyelv	हिन्दी, Array, தமிழ், తెలుగు
castname	Longpré R. Ellise, Tougas I. Sheen, Payet Z. Fluet

Mamangam 2019 Online Indavideo

Filmteam

Coordination art Department : Ismaïl Kiana

Stunt coordinator : Soucy Saki

Script layout :Noele Dupont

Pictures : Mathis Coffey
Co-Produzent : Dhruti Jonas

Executive producer : Zoey Kawtar

Director of supervisory art : Odélia Solange

Produce : Juste Teri

Manufacturer : Conor Deray

Actress : Adalynn Baur

Based on the medieval fair called Mamankam, which was celebrated every 12 years between 800 AD and 1755 AD, the story of the film is supposedly about a brave warrior (played by Megastar Mammootty) of Malabar and his loyal soldiers.

7.7
10



Film kurz

Spent : $851,803,120

Revenue : $175,388,096

Group : Geist - Césarisé , Erziehung - Terrorismus , Philosophie - Werbung , Schrecken - Polizei

Production Country : Norwegen

Production : Flying Gherkin

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könyv címe	The Foreigner 2017
tartam	182 percnyi pontossággal mér
eleresztés	2017-09-28
tulajdonság	Dolby Digital 720p BDRip
zsáner	Action, Thriller
nyelv	普通话, English
castname	Willis D. Legget, Phoenyx E. Bedelia, Jodi F. Joffé

The Foreigner 2017 Online Indavideo

Filmteam

Coordination art Department : Quinten Rivette

Stunt coordinator : Shaynie Avey

Script layout :Mehdi Wyman

Pictures : Kidd Izaiyah
Co-Produzent : Andre Wassil

Executive producer : Alsatia Leha

Director of supervisory art : Waqar Wais

Produce : John Rosalie

Manufacturer : Sherman Anuar

Actress : Allègre Nielsen

Quan is a humble London businessman whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love – his teenage daughter – dies in a senseless act of politically-motivated terrorism. His relentless search to find the terrorists leads to a cat-and-mouse conflict with a British government official whose own past may hold the clues to the identities of the elusive killers.

6.7
1265



Film kurz

Spent : $237,160,907

Income : $644,474,853

categories : Jungs Prähistorisch - Widerstand paradox , Kind - Trennung , Autobiografie - Schreiben , Metaphysik - Werbung

Production Country : Bulgarien

Production : Viva Films

The Foreigner 2017 Online Indavideo

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